Top 5 Most Overhyped Video Games

World of Warcraft is massive and full of secrets and easter eggs for fans to discover, some of which are rather creepy. One of the creepiest easter eggs in the entire game is the Children of Goldshire, who are creepy kids that stand in a pentagram formation. At 7:40 in the morning, players can find the children in the second floor of their house, where they are subjected to strange, otherworldly sounds, including threats from the evil entity C'T


Not entirely encouraging, is it? And yet, that message is the first thing that greets players who boot up the game, every single time they do so (though it can, thankfully, be skipped). Consider it foreshadowing. The Journey is regularly interrupted with control tutorials - almost constantly at first, less frequently as it progres


The problem with Crackdown 2 it was basically more of the same, but worse. Very little in terms of gameplay was changed and the game actually featured less variety than its predecessor. Players could be forgiven for thinking it was the same game, or at least part of the same game. The story of Crackdown 2 was cut down in comparison to the first Crackdown , which left some wondering why they were fighting the good fight, doing the same thing over and over again. This game did not deli


Further exploration of Andale reveals that the "strange meat" its townspeople eat is actually human flesh, and that the town is run by inbred cannibals. Upon making this startling discovery, players are then attacked by the people of Andale, unless they have the Cannibal perk, in which case they are accepted by the twisted community as one of their


On the occasions when everything works exactly as advertised, Fable: The Journey proves to be good - if simplistic - fun. Using Gabriel's gauntlets to launch enemies into the air, and then decimating them with a well-placed blast of magical energy, can be extremely satisfying. Sequences in which Gabriel and Theresa flee from The Corruption, Seren galloping at a breakneck pace as the surrounding landscape is overtaken and defiled by The Corruption's crimson mass, are among the most intense, graphically potent set-pieces The Journey has to offer. Sadly, those occasions are too few and far between, and the game is constantly undermined by its finicky, imprecise Kinect contr

One of the main reasons the story falls so flat is your character’s infinite silence. The only way to communicate with other characters is through a series of expressions that only really serve to illicit a base reaction from any NPC that sees them without any real discourse. Sure using the right expression will curry favor with the townspeople of Albion, and the wrong one will help to make them view you are boorish and rude, but it helps to illustrate the core issue with Fable II’s system. The game becomes about the choices you make, but not necessarily about the characters that those choices may alter. Due to the one-dimensional townspeople and lack of real interaction, linked internet page scenes that should have some amount of emotional resonance fall significantly short. The only real feeling you have for any character is for your faithful canine companion, and even that is tenuous.


For that matter, The Journey's voice acting and score are both top notch, as is the on-screen performance of Gabriel during cutscenes, his subtly exaggerated features easily communicating a wide range of emotions and clearly reflecting his state of mind. He's a likable, distinct hero who frankly deserves a better game. Perhaps he'll get it when Xbox 720 and Kinect 2.0 - with its rumored ability to read lips and recognize emotions - roll around, but for now, there's just no need to take The Journ
From a technical standpoint, the graphics and music are both top notch. The games only real negative in this category is that, more often than not, combat and controlling the character can feel a bit detached and clunky. While combat itself is rewarding, with the ability to switch between melee, magic, and ranged almost instantaneously to keep bad guys on their toes, actually controlling your character can be a frustrating occurrence. You will be plagued by the occasional cheap death, but thanks to not actually being able to die, you won’t have to worry about losing anything more than some experience points if you bite off more than you can chew. In the end, your enjoyment of Fable II will hinge on what is important to you in this type of game. If you are looking for an engrossing story with loveable characters, this might not please you. However, if you are looking for an impressive gameplay experience with tons of replayability, I could not recommend Fable II more. While it may have, once again, fallen short of being a classic, it is a large improvement over the first game despite its numerous weak points.


There is also the matter of Seren herself. There are some great horses in video games: Epona in The Legend of Zelda: Ocarina of Time and (especially, so far as I'm concerned) Argo from Shadow of the Colossus . Seren won't be joining that list, despite Lionhead's intentions to the contr